Corso, Raffaele (1883-1965)
Raffaele Corso (1883–1965) is a major figure in the history of Italian anthropology – and its institutionalization. He gave up a career as a lawyer to see the world differently by combining the study of folk traditions in Europe with that of non-European populations, in the wake of figures such as Giuseppe Pitrè, Lamberto Loria, James G. Frazer and Arnold Van Gennep. In Italy and abroad, his writings on customary law, marriage rites, the art of shepherds, female physiology and licentious tales earned him recognition as an eminent “folklorist”. In 1922, the Oriental Institute of Naples opened its doors for him to teach “colonial ethnology” and, from 1933, “African ethnography”. The author of two textbooks on folklore (1923) and ethnography (1941) and founder of the journal Il Foklore italiano (1925), Corso aimed to consolidate Italian ethnographic knowledge and facilitate its international circulation. Partly because of his proximity to the fascist regime, he was gradually marginalized after WWII. Severely questioned by Antonio Gramsci and consigned to a bygone era by Paolo Toschi and Giuseppe Cocchiara, Corso’s work is critically reassessed by historians of anthropology who analyse his contributions to a “Mediterranean” racial ideology, as well as his activities as cultural propagandist interested in promoting “race consciousness” in the interwar period.
Keywords: Folklore | Legal Anthropology | Africanism | Ethnography | Colonialism | Museum curator | First half of the 20th century | Italy | Fascism | Sexuality | Rites of passage | Journals and periodicals
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« Un “folkloriste d’hier” ? Raffaele Corso entre ethnographie juridique, érotique et exotique »
Maurizio Coppola, 2024
L’œuvre de Raffaele Corso occupe une place particulière dans l’historiographie des savoirs démo-ethno-anthropologiques italiens . D’une part, il a joué un rôle décisif, tant positivement que négativement, pour le développement institutionnel de ces savoirs , tandis que, d’autre part, son (…)
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“Un ‘folklorista di ieri’? Un ritratto di Raffaele Corso, tra etnografia giuridica, erotica ed esotica”
Maurizio Coppola, 2024
L’opera di Raffaele Corso assume una posizione particolare nella storiografia dei saperi demo-etno-antropologici italiani. Da un lato, risulta spesso determinante, in positivo come in negativo, per lo sviluppo istituzionale di tali discipline mentre, dall’altro, si sottolinea spesso il (…)
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“¿Un ‘folklorista de ayer’? Un retrato de Raffaele Corso, entre etnografía jurídica, erótica y exótica”
Maurizio Coppola, 2024
La obra de Raffaele Corso ocupa una posición singular en la historiografía del conocimiento demo-etno-antropológico italiano. Por un lado, se suele considerar su figura como decisiva, tanto positiva como negativamente, para el desarrollo institucional de estas disciplinas , mientras (…)
Secondary sources
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“Antropologia italiana e fascismo. Ripensare la storia degli studi demoetnoantropologici”
Fabiana Dimpflmeier, 2021
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“Il silenzio dei giganti. La rimozione del folklore di regime nella storia degli studi”
Fabio Mugnaini, 2021
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“Raffaele Pettazzoni e James G. Frazer. Per una rifondazione degli studi folklorici in Italia (1923-1929)”
Fabiana Dimpflmeier, 2021
Primary sources
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Folklore. Storia, obbietto, metodo, bibliografia
Raffaele Corso, 1923
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« La ‘couvade’ y su interpretación »
Raffaele Corso, 1954
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